LGBT Themes

The Body Speaks: Scripted


A curious collection.

From: Performance Gallery

Part of The Body Speaks: seven photos inspire dance, film and theatre. Explore three independent interpretations and one unique collaboration. See The Body Speaks: Movement and corresponding visual art & film exhibits.

Most Fringy Thing: Wait a minute...you can see three different fringe shows in three different genres all responding to one theme (and some amazing photos) creating an unbelievable variety of thought, emotion and curiosity? It's like an art ménage-a-trois and Performance Gallery is all up in the middle of it.

Brief Description: The Body Speaks roller-coaster plows through the brains of six playwrights and out pops a unique vision. A series of photos by Sean Dunn inspire our “scripted” response; concise vignettes creating a variety of worlds, characters and stories. They may enchant, they may enrage as they explore the body, brain and beyond. Come along on the ride. Continue your journey through the theme by seeing the “movement” and “captured” versions by our collaborating partners. Part ofThe Body Speaks: seven photos inspire dance, film and theatre. Explore three independent interpretations and one unique collaboration.

Artist/Company Biography: Often outlandish, sometimes profound, always unpredictable, Cincinnati based Performance Gallery is a collaborative performance environment existing to produce and promote challenging works of theatre. Founded in 2002, they have produced a varying amount of works per year, which, among others, have included premieres by local playwrights (Chasing the Wolf ’04, Gilgamesh in Uric; G.I. in Iraq '07), some revamped classics (The Maids, ’03, Woyzeck ‘05) and seven widely different original offerings at the Cincinnati Fringe Festival (Images of a Beating Heart ’04; The Killer Whispers and Prays’05; godsplay: ’06; girlfight ’07; fricative ’08; KAZ/m '09 and The Council '10). Yes, we are the “bad penny” of the Cincinnati Fringe. We just keep turning up and we love it here.

From: Cincinnati, OH

Critics' Reviews

Review: CityBeat

by Kathy Valin

At the opening performance of Cincinnati-based Performance Gallery’s entry into the 2011 Fringe mélange I was sometimes puzzled at the direction the show was taking. But my attention rarely wandered far from the 14 very competent actors onstage who appeared in situations ranging from the absurd to the tongue-in-cheek. Creative credits are too many to list, including scripting, directing, conceptualization and development.

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Review: Behind the Curtain

As usual, The Performance Gallery brings another interesting, thought-provoking, head-scratching, full o’ talent, show to the Cincinnati Fringe Festival.  

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Miss Magnolia Beaumont Goes to Provincetown


Southern belle trapped in the body of a gay New Yorker.

From: Left Out Productions NYC

Most Fringy Thing: Miss Magnolia Beaumont Goes to Provincetown is not a typical one-man show, but, rather, a solo play. The characters, plot, and action of the piece are very real and the audience is consistently surprised to be taken on a complete theatrical journey. And you get to see Joe's naked butt.

Brief Description: Miss Magnolia Beaumont, Southern debutante, finds herself trapped in the body of Joe, a gay New Yorker visiting Provincetown, MA. This hilarious and touching tale of two souls struggling for balance and understanding celebrates the beauty and magic of P-town.

MissMagnoliaBeaumont.com

Watch the trailer here:

 

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Artist/Company Biography: Joe Hutcheson has been writing and performing solo shows in New York since 2007. His first endeavor The Purpose of Matter in the Universe appeared at Stage Left Studio as part of the 2007 Midtown International Theatre Festival, and received two Best of the Fest nominations (Best Solo Show and Best Sound Design). The following year, Joe and Cheryl King (creator and producing director of Stage Left Studio) created The Left Out Festival for emerging LGBT theatre. Joe’s solo show Miss Magnolia Beaumont Goes to Provincetown first appeared in this festival and was extended twice throughout the summer; in 2010, under the direction of Cheryl, Miss Magnolia enjoyed a critically acclaimed run at the Cherry Lane Studio with the New York International Fringe Festival and garnered a FringeNYC Overall Excellence Award. Joe holds an MFA from the University of Florida and a BFA from Cal State Fullerton. Some of Joe’s writing can be found on his blog at: www.becominghutch.blogspot.com/.

Previous Fringes: New York International Fringe Festival 2010 (Miss Magnolia Beaumont Goes to Provincetown).

From: New York, NY

Critics' Reviews

Review: The Conveyor

by Brian Griffin

I am thrilled when my expectations are exceeded. The running time of Left Out Productions NYC's Miss Magnolia Beaumont Goes to Provincetown was leaving me a little bit disconcerting for a solo Fringe show, but this is more than a solo show. This is a multiple character one person play that is a crafted work with two distinct and seamlessly woven roles played by Joe Hutcheson.  

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Review: CityBeat

by Nicholas Korn

CRITIC'S PICK

The art of the improbable premise is a standard at any Fringe Festival. What counts is not the unlikely starting point, but how one develops and delivers from the unreasonable setup. Miss Magnolia Beaumont Goes to Provincetown (presented at the 1423 Vine venue), written and performed by Joe Hutcheson and directed by Cheryl King, shows that style, imagination, intelligence, heart, talent and daring are what make such productions worth the gamble. In fact, these elements make any art worth creating and sharing with an audience of strangers.

Review: Behind the Curtain

If there is any misstep in this production, I didn’t see it. The script is extremely well-written, emotionally vibrant and real. Both Miss Beaumont and Master Joseph are fully developed characters with depth and heart. The characters transitions are eye-blink fast and yet there is never any confusion as to which character is speaking. The progression of their “forced” relationship to friendship hits all the right emotional notes. MISS MAGNOLIA BEAUMONT GOES TO PROVINCETOWN is an impressive. entertaining work.  

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Review: The Examiner

by Richard O Jones

One fringe festival staple is the one-man show. Many of them are autobiographical, or nearly so. I sure hope that "Miss Magnolia Beaumont Goes to Provincetown" is not.Joe Hutcheson does play himself and a few other characters, but the main character and narrator is the Southern Belle of the title, also played by Joe, who after choking to death on a piece of pork just after the start of the Civil War has mysteriously inhabited the body of Joe, a gay New Yorker as he embarks on a solo vacation to Provincetown, Mass. She's apparently been in there a while, lurking and learning, but during this vacation she becomes more aware of Joe's body, manages to take it over from time to time, and carries on a set of hilarious conversations with her landlord (bodylord?) as they get accustomed to sharing.

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Memoir of a Mythomaniac: The True Story of a Compulsive Liar (or Tallulah Dies)


Little liars need to change their ways.

From: East Tennessee State University Patchwork Players

Most Fringy Thing: Memoir of a Mythomaniac: the True Story of a Compulsive Liar (or Tallulah Dies) is fringe; it is about life on the periphery. 

Brief Description: What is the better choice: living in a world of your own creation or the real world? Through a fusion of spoken word and dance, Tallulah Dies tells the story of a delusional but bewitching heroine. And after being fired from yet another job, her father has convinced her to see a therapist so she can get back to work and out of his basement.

Check out our trailer: http://www.youtube.com/watch?v=75yvr4T5riM

And check us out on facebook to see how rehearsals are going: http://www.facebook.com/profile.php?id=57509290&ref=profile#!/pages/Tallulah-Dies/218764354807084

Artist/Company Biography: Cara Harker is an assistant professor of dance at East Tennessee State University. Cara graduated from the Chicago College of Performing Arts at Roosevelt University with an MFA in theatre performance in 2003. Since that time, she has been working in dance and theatre as an instructor, choreographer, and director in Chicago, Cincinnati, and East Tennessee. Credits include directing and choreographing Quilters and Girl’s Eye View, a play which she co-wrote, choreographed, and performed in at Ensemble Theatre of Cincinnati. Most recently, Cara directed and choreographed The Trail of the Lonesome Pine, Virginia’s longest running outdoor drama. Cara serves on the Board of Directors for the Tennessee Association of Dance and oversees the dance minor program at ETSU. She is thrilled to be working on Tallulah Dies with Patchwork Players, ETSU's student run theatre group.

From: Jonesborough, TN

Critics' Reviews

Review: Behind the Curtain

MEMOIR OF A MYTHOMANIAC, a fusion of spoken word and dance, offers solid acting throughout the cast. It is also great to see the always-on-stage ensemble focused on the action throughout the entire show. Versatile ensemble members Savannah Arwood, Brock Cooley and Cara Harker (the latter also serves as director, playwright and choreographer) take on several smaller roles.  

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Review: CityBeat

by Harper Lee

"My name is Tallulah, and I’m a compulsive liar.”Memoir of a Mythomaniac, a Fringe offering from East Tennessee State University Patchwork Players. The story of Tallulah, whose actual name is Jane, is told as a fractured narrative, combining traditional dramatic scenes of exposition with break-out scenes of movement and dance. And it works, mostly, thanks to the energy of the six, young, able-bodied and game performers in the troupe."

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Review: Cincinnati Performing Arts Examiner

by Richard O Jones

It's still early in the Cincinnati Fringe Festival, but "Memoir of a Mythomaniac: The True Story of a Compulsive Liar (or Tallulah Dies)" is destined to be one of the my favorite Fringe experiences of the year, despite the precious and rather long title."

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Melancholy Play by Sarah Ruhl

Acclaim Nominations: Directing (Regina Pugh), Non-Equity Ensemble (Peter york, Jennifer Roehm, Lisa DeRoberts, Nina Yarbrough,  William Selnick, and Randy Nashleanas

A Musing on the Delights of Melancholic Mayhem

From: Ensemble Theatre of Cincinnati

Most Fringy Thing: This farce gallops into the gaps in our brains and the holes in our hearts and fills it with good food: the almond, of course.

Brief Description: Our not-so-sad-story begins with Tilly: a banker and melancholic. Tilly flits about town spreading her sweet sorrow to everyone she meets: her psychiatrist, Lorenzo; her boyfriend, Frank; and two lesbian lovers, Frances and Joan.... so of course they fall in love with her. This makes Tilly happy, very happy. But this is not the Tilly they fell in love with! Her suitors become dismayed and yes, melancholy by the transformation of their temptress. Havoc and mayhem ensue: a battle over her coveted vial of tears, a metamorphous catastrophe…and it is up to our heroine to make it right.

Artist/Company Biography: Directed by Regina Pugh

FEATURING: Jennifer Roehm as Tilly, Will Selnick as Lorenzo, Peter York as Frank, Lisa De Roberts as Frances, Nina Yarbrough as Joan.

Melancholy Play by Sarah Ruhl was first produced at the Piven Theater Workshop, directed by Jessica Thebus, produced by Joyce Piven

From: Cincinnati, OH

 

Critics' Reviews

Review: CityBeat

by Harper Lee

CRITIC'S PICK

"Tilly (Jennifer Roehm) is feeling a little blue — and she’s wallowing in her melancholy. Her employer, a bank, has sent her to a shrink, the self-proclaimed Lorenzo the Unfeeling (William Selnick), who falls in love with her. As does Frank (Peter York), her tailor, and Frances (Lisa DeRoberts), her hairdresser. And when Frances’s lover, Joan (Nina Yarbrough), a nurse from England, meets Tilly — she’s overwhelmed, too."

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Review: Behind the Curtain

"Many times for me, seeing a Sarah Ruhl play is akin to jumping down the rabbit hole. A script of off-beat characters in increasingly strange situations with sudden and multiple left turns in logic."

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Review: Examiner

by Richard O Jones

"The fringiest thing about " The Melancholy Play" is that it is performed on a stage built for the previous  Ensemble Theatre of Cincinnatishow ("25: The Musical"), but it did have its own set, probably the only Cincinnati Fringe Festival show to have one (but we're only halfway through, so who knows what the next week will bring)."

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I Love You (We're Fucked)


Acclaim Nominated: Writing, Performing (Kevin J Thorton)

Hilarious, fast paced mix of stand-up, storytelling and original music

From: Kevin J Thornton

Most Fringy Thing: This is the first time in your life that an hour of dick jokes will make you feel warm and fuzzy and thrilled to be alive. No really.

Brief Description: "I was going through an intense break up in Los Angeles. I moved out of our West Hollywood apartment and came to Indiana to hibernate for the winter and clear my head. Instead, I ended up drinking a lot and writing folk/country songs. I decided to take all this heartbreak and music and smash it together with my stand up." This unique hybrid of styles is displayed in Thornton's hilariously show about a gay man looking back over the greatest loves (and sex) of his life written by and starring Kevin J Thornton. Includes original music from Thornton's 2011 release January Dreams.

Artist/Company Biography: In a way, Kevin J Thornton is a throwback to the golden age of entertainers on the vaudeville circuit-- he sings, he tells jokes, he truly entertains his audiences in clubs and on the underground Fringe Festival circuit. However, Thornton's shows are anything but old fashioned. His stories and songs comment on sexuality, religion and American life in a new century. His performances are a fusion of stand-up comedy, Sandra Bernhard-like storytelling and original music akin to Ryan Adams and Van Morrison. Thornton spent the early 2000s building a reputation as a professional musician in Nashville, TN. His first effort entitled Had A Sword won the Nashville Scene Music Award for Best Experimental Rock. During that time he worked as an actor, ironically, to pay the bills. He appeared in several professional theatre productions, playing John in John and Jenat the historic Tibbit's Opera House in Coldwater, MI. and in a sketch comedy group aboard a luxury ship in South America

From: Los Angeles, CA

Critics' Reviews

Review: The Conveyor

by Brian Griffin

Kevin Thornton's I Love You (We're Fucked) filled the sweaty Artworks space with both eager audience members and wonderfully funny stories and songs. Thornton is an extremely talented performer who has improved on his 2009 CincyFringe show Sex, Dreams & Self-Control with a crisp comedy that was more fast past and improvisational. Kevin knows how to put on a show and knows how to push the crowd over they edge with him.  

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Review: CityBeat

by Harper Lee

CRITIC'S PICK

"What makes revealing personal anecdotes compelling? Perhaps it’s peeling back the layers of detail to get at the heart of emotions — if not situations — we can all identify with, with what’s human. By revealing plenty and walking cheerfully to comfort’s edge with TMI (too much information), the stand-up comedian/storyteller/singer-songwriter Kevin J. Thornton pretty much kept the audience in the palm of his hand during his sold-out opening performance of I Love You (We’re Fucked) on June 3."

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Review: The Conveyor

Kevin Thornton's I Love You (We're Fucked) filled the sweaty Artworks space with both eager audience members and wonderfully funny stories and songs.  Thornton is an extremely talented performer who has improved on his 2009 CincyFringe show Sex, Dreams & Self-Control with a crisp comedy that was more fast past and improvisational.  Kevin knows how to put on a show and knows how to push the crowd over they edge with him. The tone of the show takes many more detours.  You don't know what he is going to say, but that will not scare the audience if they aren't prudish.  The prudes might want to skip this one.  Beware of the "Blood stories" as they mix emotional elements that snap back to humor very quickly.

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Review: Behind the Curtain

"The tag line for ILY(WF) show reads, “Hilarious, fast paced mix of stand-up, storytelling and original music.” To which I say, “Yes folks, there is still truth in advertising.”" I really enjoyed Kevin’s first Fringe performance two years ago with SEX, DREAMS AND SELF CONTROL and was happy to hear he was returning this year. What was great to see last night’s performance is how much Kevin has matured as a performer. He comes across more confident, more comfortable and more content on stage. But still all Kevin."

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Headscarf and the Angry Bitch


Acclaim Recommended

The Muslim Weird Al

From: Zehra Fazal

Most Fringy Thing: Breaking down cultural stereotypes has never been so fun! The 60-minute show is hilarious, has a solid performance history, and is extremely relatable to anyone who considers themself a "hyphenated American." And, as, Washington DC's CityPaper says: “The future of American-Islamic relations could hinge on this one-woman show.”

Brief Description: This beef ain't halal! Join Zed “The Muslim Weird Al” Headscarf on an irreverent romp through the American Muslim experience. This musically comic solo-show explores religion, growing up in a Pakistani immigrant family, and coming to terms with sex and love—all in one hilarious, energy-packed hour of story and song parody from powerhouse performer Zehra Fazal. Winner of the Best Solo-Performer award at the DC Capital Fringe Festival in 2009, the show went to play to sold out audiences at the New York International Fringe Festival in 2010. “Animated, engaging and likeable.” –The New York Times

Artist/Company Biography: Washington, DC theater credits include Studio Theatre, Synetic Theater, The Kennedy Center, Adventure Theatre, The Bay Theatre, Rorschach Theatre and Landless Theatre. Fazal also works as an actor and model for print and film, with clients including the Defense Intelligence Agency, Customs and Border Patrol, Baltimore Area Convention and Visitors Association, and commercial clients including Marriott, Consumer Electronics Show, and National Geographic. In 2004, Fazal earned a grant from Stanford University to study with the Takarazuka Revue, Japan’s all-female musical theatre company. A graduate of Wellesley College, Fazal graduated with honors for translating and directing the English-language world premiere of The Rose of Versailles from the Takarazuka repertoire.

In following with her passion for Japanese theatre, Fazal has toured her solo-show adaptation of the Yukio Mishima play My Friend Hitler to the DC, Indianapolis and San Francisco Fringe Festivals. Fazal premiered Headscarf and the Angry Bitch at the 2009 Capital Fringe Festival, earning the Best Solo Performance Award, as well as the Favorite Solo Performance Award on DC Theatre Scene, and went on to the 2010 New York International Fringe Festival where it played to sold out houses and garnered further acclaim. For more information, please visit www.zehrafazal.com.

From: Washington, D.C.

Critics' Reviews

Review: CityBeat

by Rodger Pille

CRITIC'S PICK

It’s pretty typical for our culture to be afraid of that which we don’t know. We see it every day on TV news and in daily conversations around the water cooler. But what we probably rarely see is the reaction on the other end, how it affects the object of our fear. That’s one of the principle reasons whyHeadscarf and the Angry Bitch is so welcoming and accessible. And frankly, so needed.

Writer-actress Zehra Fazal makes it really easy for us xenophobes. She sets up her one-woman show, a sort of theatrical Muslim for Dummies with autobiographical anecdotes sprinkled in for good measure, as a series of community education sessions taught at the local neighborhood center. She addresses the audience directly, as if we’re a part of the class, which of course we are.

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Review: Cincinnati Enquirer

"Artworks stages 2 looks at cultural identity"

Joseph McDonough

"Headscarf and the Angry Bitch" is an enjoyable comic solo show written and performed by Zehra Fazal that explores a young woman's experiences of growing up Muslim in America.Fazal portrays Zed Headscarf, the self-proclaimed "Muslim Weird Al" who gives us a lecture on various aspects of Muslim culture, often illustrating her points with song parodies she plays on her guitar. We quickly learn primary tenants of the Muslim religion along with proper Muslim attitudes toward foods (beer is bad but Skittles are OK), prayer, family and sex.

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Review: The Conveyor

The Anger in Zehra Fazal's Headscarf and the Angry Bitch is reserved not for her religion or her family or her ethnicity, but lies with the actions of all of those entities interacting together and making her life full of contradictions and confusion. Fazal's character Zed Headscarf takes you in with her seminar, learning about Islam.  Along the way she shares her stories about her upbringing with Pakistani parents and extended family and how sex and it's many variances lack a place in the culture surrounding her religion.

For the full article check it out on theconveyor.com

Review: Behind the Curtain

"Zehra Fazal’s very fun (and educational) show gives audience members an irreverent, personal, view of what it means to be a young, female, Muslim-American."

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Review: The Examiner

by Richard O Jones

"Our first sold out Fringe show was "Headscarf and the Angry Bitch" by DC-based artist Zehra Fazal, and it lives up to the buzz.

Fazal plays Zed Headscarf, a young bisexual woman of Pakistani descent who is conducting a series of informative lectures about her faith, though she's not what you'd call observant, at the local Islamic Center. So you not only get a personal look at the life of a modern American Muslim, but also a primer on the lexicon, explanations of concepts like "haraam" and "halal."" 

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Review: David's Voice

by Samantha Stein

On Saturday, I tried to see “Headscarf and the Angry B*tch,” at Artworks for the Cincinnati Fringe Festival, which simply describes the play with the phrase, “the Muslim Weird Al.” I dashed through the doors at 6:58pm and flashed my pass. I was turned away. The house was packed, even the standing room, and I was out of luck. On the advice of the staff, I went next door to the Know Theatre and bought a ticket for the next evening.

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Denali


Acclaim Nominations: Writer (Austin Bunn), Non-Equity ensemble (Martin Andrews, Kristy Hartsgrove, and Sean Lewis), Direction (Martin Andrews, Kristy Hartsgrove, Sean Lewis, and Austin Bunn).

Who Owns the Story of Survival?

From: Working Group Theatre

Most Fringy Thing: Multiple character transformations, a cave, a mystery, an award winning company making their Cincinnati debut.

Brief Description: Who owns the story of survival? One summer, three childhood friends attempt to summit Mt. McKinley in Alaska’s Denali National Park — and only two come back. Denali, by Austin Bunn, explores the line between fact and fiction, and the tests of friendship on the world’s coldest mountain. Imagine Jon Krakauer's Into Thin Airwith a James Frey scandal of legitimacy and you have the newest work from Pushcart Prize winning author Austin Bunn. "Denali is the best kind of story, where the situations and characters are complex amalgamations of these, and the audience leaves with sympathy and contempt for everyone."- The Rapidian

Artist/Company Biography: Working Group Theatre has developed and toured the shows Goat Show by Jennifer Fawcett (Adirondack Theatre Festival, Summerworks, Riverside Theatre, Blyth Festival, and more), Handgrenade Holly(ArtSpark Festival) and Killadelphia(Baltimore Centerstage, Interact Theatre, Available Light, and more). Their work has garnered the Kennedy Center's National Science Writing Award, the Barrymore Award, Central Ohio Critic's Circle Citation and more.

From: Iowa City, IA

Critics' Reviews

Review: CityBeat

by Rodger Pille

On first blush, there’s nothing terribly Fringe-y about Denali (performed at Know Theatre). It’s a fairly straightforward play from Iowa’s Working Group Theatre about three childhood friends who get back together for the first time since a tragic mountain-climbing accident claimed the life of the one person who tied the others together. How could one of them profit from the harrowing story by way of a best-selling memoir? What are the others hiding? Will the truth ever come out?

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Review: Behind the Curtain

"It has been said, for writers, that the devil is in the detail. At the heart of \is the exploration of that concept and the consequences of changing the detail, no matter how good the intentions. And then, those intentions are questioned."

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Preview: CincyFringe: exploring the outer limits

By: Stacy Sims

"Denali is the tale of three childhood friends who attempt to summit Mt. McKinley in Alaska's Denali National Park, but only two came back. Written by Austin Bunn, the play explores the line between fact and friendship, and the tests of friendship on the world's coldest mountain."

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Darker


Acclaim Recommended, Acclaim Nominated: Non-Equity acting ensemble (Michael Call, Mindy Heithaus, Jeffrey K Miller)

Light bulb factory love story: old bulbs are easily replaced.

From: New Edgecliff Theatre

Darker CastMost Fringy Thing: One of the most absurd love stories ever told, but a love story none the less.

Brief Description: In search of a job, Max finds himself the new kid at the Industri-Light Bulb Factory. But his surroundings are all too familiar… and he’s certain he has seen his boss somewhere before. Is he losing his mind, or is this the start of a very sick- and ultimately deadly- game? Max must uncover the truth, or accept a fate that will keep his life in a mind-numbing limbo.

Company Biography

Established in 1998, New Edgecliff Theatre was built on the idea of locally produced professional theatre. The mission of New Edgecliff Theatre is to create a powerful artistic experience utilizing local professionals and stressing the fundamental communion between actor and audience.  Recent work includes productions of [title of show], The Night of the Iguana, Equus, and our every-popular holiday production of The Santaland Diaries.

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From: Cincinnati, OH

About the Playwright

NET's Playwright-in-Residence Catie O’Keefe Catie O'Keefe holds a BA in Theatre from Lewis & Clark College in Portland, Oregon USA and a Masters in Playwriting from Royal Holloway University of London. Her work has been performed at the Jerwood Centre, Southwark Theatre, Henley Fringe Festival, The Royal Court Upstairs, Theatre 503 and the 2008 Edinburgh Fringe Festival. The Space Between My Head and My Body premiered at London's Theatre 503 and then transferred to the Underbelly Baby Belly 3 in Edinburgh. Her Play Deception, Illusion and Nate has been performed in the US and as part of the Dyssing Monday's Dyslexic festival in October 2008 and again in the Henley Fringe Festival in July 2009 in the UK. Her Play An Apartment with Grace was one of six winners to be produced for The Louisiana State University Outworks Festival in April 2010. Her writing is best described as "dark, imaginative and witty". 

About the Director

Illana Stein is thrilled to be back in Cincinnati and working with NET for the 2011 Fringe Festival.  She first got involved with NET when she directed Burying Barbie for their second Director's Competition.  She is a freelance director originally from Fort Worth, TX but considers Cincinnati an artistic home as she spent 3 years as Assistant to the Artistic Director at Cincinnati Shakespeare Company (CSC).  While at CSC, she directed their 2008 summer tour of A Midsummer Night's Dream, eductional tour In Love with Shakespeare, and served as assistant director and dramaturg on the majority of productions.  Other directing credits include Home Free! (Midnight Project at Oregon Shakespeare Festival), The Woolgatherer, AutobahnAs You Like It, and Opehlia's Story (a conceptualized play).  As an assistant director and dramaturg she has worked at a wide range of regional theatres including Cincinnati Playhouse in the Park (Victoria Musica!), Oregon Shakespeare Festival (Cat on a Hot Tin RoofWell, and The Merchant of Venice) Yale Repertory Theatre (Romeo and Juliet), and Shakespeare Theatre of New Jersey (Twelfth Night).  Ms. Stein has a BFA in Drama from the University of Oklahoma where she also co-founded and served as Artistic Director for ORASI Productions, a student-led theatre production company.

About the Cast

Michael Carr is a recent graduate of CCM Drama. He is a Cincinnati native. Roles performed include:(CCM) Andrey- Three Sisters (Acclaim Winner), The Man- On the Verge (Acclaim), Barnett Lloyd - Crimes of the Heart. (Carnegie Performing Arts Center) Pvt Schelling -Bury the Dead (Acclaim Winner), Pap/The Duke - Big River. He could not have gotten to where he is without the support of his family and close friends.

Mindy Heithaus is very excited  to be working with New Edgecliff again on this Fringe endeavor. She previously was on Night Of The Iguana last fall. She is a graduate of NKU's theatre department. Past roles include Lina Lamont in Singin' In The Rain (Covedale), Shelby in Steel Magnolias (LaComedia), Meg in Crimes Of The Heart (Showboat), Placard Girl in Reefer Madness The Musical (The Know),  Bridget in Nana's Naughty Knickers (LaComedia), and Diana in Lend Me A Tenor (Drama Workshop). She would like to thank her family and friends for all their love and support. She also wants to the thank the cast and crew for this fun, exciting, and sometimes confusing journey. 

Jeffrey K. Miller is thrilled to join the cast of Darker for his second go-round in the Cincy Fringe. Using his theatre degree from NKU, Jeffrey has worked with theatre companies all over Cincinnati and the region including New Edgecliff Theatre, Middletown Lyric Theatre, Cincinnati Landmark Productions, Mad Anthony Theatre/Fitton Center, Wyoming Players, Two seasons at Pioneer Playhouse, NKU, ArtReach: Children’s Theatre of Cincinnati, Madcap Puppet Theatre at Cincinnati Zoo, and Cincinnati Museum Center.

Critics' Reviews

Review: The Examiner

by Richard O Jones

"Darker" is an eerie love story taking place, ostensibly, in the office of a light bulb factory. Max (Michael Carr) has just come to work there, inadvertently muscling in on the desk of co-worker Tom (Jeffrey K. Miller) at the urging of office manager Lucy (Mindy Heithaus). For a light bulb factory, it is an extremely ill-lit office, and a half-dozen or so bare light bulbs dominate both the set and light designs. It all looks too familiar to Max, however, who questions Lucy and Tom if he has worked there before.

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Review: CityBeat

by Harper Lee

"New Edgecliff Theatre’s contribution to the 2011 Fringe Festival, Catie O’Keefe’s Darker, has an enticing ambiance (at Know Theatre). The sparse set features a number of bare light bulbs that at times are blindingly bright and at others pulsing or dim. The effect is garish and mesmerizing, appropriate for a play with themes like anger, unrequited love and lost memory."

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Review: Cincinnati Enquirer, Enjoy these local Fringe entries

by Jackie Demaline

Two easy-to-recommend entries by local companies in this year's Cincinnati Fringe Festival are "Darker" by New Edgecliff Theatre and "Peyote Business Lunch" from Artemis Exchange.

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Review: The Conveyor

When the end comes it is said that the light fades from your eyes and everything goes dark.  That image is the visual put forth from New Edgecliff's Darker written by Catie O'Keefe.  Light and Dark run heavily through this production.  Keeping the characters and the audience 'in the dark' takes on an additional importance.  Love, death, the power of the impending darkness puts a sensual story on stage with a hazy situation where the past is seeping into the present.

The cast of Michael Carr, Mindy Heithaus, and Jeffery Miller are all excellent.  They know their characters and show no fear in playing off each other.  The set and costumes, designed by Jim Stump, were the best I have seen in Fringe this year.  It is risky to have a set and lighting design as elaborate as Darker used, but Stump made it work really well with the limits placed on Fringe productions. 

 

For the full article check it out on theconveyor.com.

 

Review: Behind the Curtain

"In Darker, film noir meets Fringe and the result is a very stylized and engaging theater experience. All aspects of the production compliment each other, making the final result more than the sum of its parts."

Click here to read the rest of the review

Trust

In a world ruled by love, lust and lying, a spiral unwinds.

From Ensemble Theatre of Cincinnati Acting Intern Company

Show Description: Written by Steven Dietz. A contemporary dramatic comedy set against a backdrop of the rock music scene. In a world ruled by love, lust and lying, a spiral unwinds. Cody is a rising star musician. Becca is his fiancèe. Gretchen is a dressmaker, fitting Becca for her wedding dress. Leah is a rock star past her prime who Cody meets while on the road. Roy is a public radio announcer smitten with the young bohemian, Holly. As the lives and loves of these people continue to intersect, attraction gives way to seduction- secrecy holds sway over truth. Becca and Cody's marriage-to-be grows as rocky as Roy increases his hilariously futile attempts to charm Holly. Gretchen and Leah's past is unearthed, brought on by Gretchen's attraction to Becca. As the final concert of Cody's tour concludes, new bonds have been formed, old wounds remain; friends looking for answers, lovers looking for that elusive word: trust.

Most Fringy Thing: Sex, Love and Rock n Roll!

Artist/Company Bio:

Kim Rogers as Gretchen
Christine Fallon as Becca  
Christopher Pitts as Cody  
Leah Strasser as Leah  
Lauren Shmalo as Holly  
Stephen Geering as Roy

Hails from: Cincinnati, OH

Previous Fringes: ETC Acting Intern Company first joined the fringe in 2004 with The Ensemble Project: Rebels with a Cause and most recently presented : gravesongs by Sarah Underwood (Audience Pick of the Fringe 2009)

Ain't That Good News

A butt-kicking, heart-breaking, raucous Vaudevillian Cabaret!

From the Bengsons

Show Description: Abigail Nessen Bengson & Shaun McClain Bengson's Ain’t That Good News is a raucous vaudevillian cabaret, full of roaring music and impassioned characters. The Bengson duo evoke the quintessentially American stories of the immigrant and the outcast and play at the heart of the political struggles of our age through a melding of the musical forms of Tin Pan Alley, the Old South, German Weimar and rock and roll. The show is constantly evolving. As the Bengsons travel, they trade songs and drinks for new stories from the personal to the divine, and shift the work to reflect where they've been, and each new community they're in. Directed by David Eppel.

Most Fringy Thing: This funny, sexy, and moving musical adventure follows a young couple as they travel around the world, with stories of the folks they've met from the townships of South Africa to the dumps of Tijuana.

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Artist/Company Bio: The Bengsons are the best in vaudevillian indie folk and rising stars in the NYC experimental music and theater community. They have performed their original shows, performances pieces and original musicals, Ain't That Good News and The Magic Show: The Story of the Barefoot Angels, across the country and around the world. They have appeared to acclaim at such venues as Culture Project’s Women Center Stage (NYC), MASS MoCA (North Adams, MA), terraNOVA Collective’s soloNOVA Arts Festival at The Daryl Roth Theater (NYC), La MaMa E.T.C. (NYC), Dixon Place (NYC), BRIClab (Brooklyn, NY), The Flynn (Burlington, VT), Town Hall Theater (Middlebury, VT), The Thacher School (Ojai, CA), the Tijuana Christian Orphanage (Tijuana, Mexico) and the Market Theater (Johannesburg, South Africa). The Bengsons are also activists and teachers, who have taught students in NYC's public schools and Cambodian immigrants in Massachusetts, as well as internationally, including at the Market Theater Lab of Johannesburg, ZA, the Tijuana Christian Orphanage of Tijuana, Mexico, and ASAPROSA, in Santa Ana, El Salvador.

Hails from: Middlebury, VT / Brooklyn, NY

60 Second Preview: 

Praise for the Bengsons:

"Not only a tremendous musical talent, but also a raw honesty and sincere righteousness." 
THE NEW YORK TIMES

"Inspired... worthy of Bob Fosse's Cabaret work, as funny as it is horrifying." 
EDGE Entertainment

“Friendly, fresh-faced and downright enchanting... audiences are bound to sit up and take notice.” Addison Independent

“Beautiful and artful.” 
NYTheater.com

“A rare and compelling talent.” 
Rachel Chanoff, Artistic Director of Celebrate Brooklyn and MASS MoCA

“Tremendous vocals and a range of stunning and diverse musical stylings... Would bring tears to even Charles Manson's eyes.” 
Brandon Lucy Campos, My Feet Only Walk Forward

Critics' Reviews

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