What the Deuce!

Devil's Deuce

Devil's Deuce explores love and sex with comedy and puppets!

SHOW DESCRIPTION

What the Deuce! is an exciting new show created by Dylan Shelton and Annie Kalahurka. If you want to see your date squirm with delight and embarrassment, this show will at least take care of the embarrassment (you should really be taking care of the delight part yourself). Exploring love, sex, and all the complications that come with relationships, this duo employs their expertise in sketch comedy, improv, and yes, puppets! Think interviews that were too racey for "When Harry Met Sally" and puppets that are too vulgar for "Elmo's World." This variety show exposes the awkwardness, the frailty, and the nasty imperfection of love. If variety is the spice of life, then bring some Rolaids, because Devil's Deuce delivers a double helping of laughing gas.

ARTIST/COMPANY BIOGRAPHY

Devil's Deuce is the sketch comedy duo sensation of Dylan Shelton and Annie Kalahurka. Dylan is the Creative Director of Madcap Puppets, the largest giant puppet touring company in the United States. Dylan has written more than a dozen touring childrens' shows which are seen yearly by more than half a million kids and adults. Dylan has performed in theaters from Cape Cod to Los Angeles, starred in local films, and even appeared in a Febreze commercial, which he claims gave the product some serious street cred. Annie Kalahurka is wicked smart. Originally from Kansas City, Missouri, she moved to Cincinnati in 2006 to tour with Madcap and build puppets. She has been seen and heard in radio ads, bowling commercials, and credit card promos. Annie was a national anthem singer for the Kansas City Royals and has performed in theatres across the country from Santa Fe, New Mexico to Monmouth, Maine.

PREVIOUS FRINGES

Fringe virgin.

'AND THE FRINGIEST PART IS ...'

A unique mix of video, sketch comedy, improv, puppetry, and music form a collage of modern variety. Over thirty characters are played by two people in less than an hour.

reviews

+ CityBeat review (May 30, 2008)